Dieter Rams garden portrait by Philip Sinden
Dieter Rams (born 20 May 1932 in Wiesbaden, Hessen) is a German industrial designer closely associated with the consumer products company Braun and the Functionalist school of industrial design.
Rams began studies in architecture and interior decoration at Wiesbaden School of Art in 1947. Soon after in 1948, he took a break from studying to gain practical experience and conclude his carpentry apprenticeship. He resumed studies at Wiesbaden School of Art in 1948 and graduated with honours in 1953 after which he began working for Frankfurt based architect Otto Apel. In 1955, he was recruited to Braun as an architect and an interior designer. In addition, in 1961, he became the Chief Design Officer at Braun until 1995. Read More
Photography (derived from the Greek photos- for “light” and -graphos for “drawing”) is the art, science, and practice of creating durable images by recording light or other electromagnetic radiation, either chemically by means of a light-sensitive material such as photographic film, or electronically by means of an image sensor. Typically, a lens is used to focus the light reflected or emitted from objects into a real image on the light-sensitive surface inside a camera during a timed exposure. The result in an electronic image sensor is an electrical charge at each pixel, which is electronically processed and stored in a digital image file for subsequent display or processing. Read More
Below is just about everything you’ll need to style in the theme. Check the source code to see the many embedded elements within paragraphs.
The sea, the world ocean or simply the ocean is the connected body of salty water that covers over 70 percent of the Earth’s surface. It moderates the Earth’s climate and has important roles in the water cycle, carbon cycle, and nitrogen cycle. It has been travelled and explored since ancient times, while the scientific study of the sea—oceanography—dates broadly from the voyages of Captain James Cook to explore the Pacific Ocean between 1768 and 1779. The word “sea” is also used to denote smaller, partly landlocked sections of the ocean. Read More
The term minimalism is also used to describe a trend in design and architecture wherein the subject is reduced to its necessary elements. Minimalistic design has been highly influenced by Japanese traditional design and architecture. The work of De Stijl artists is a major source of reference for such work: De Stijl expanded the ideas that could be expressed by very particularly organizing such basic elements as lines and planes.
Architect Ludwig Mies van der Rohe adopted the motto “Less is more” to describe his aesthetic tactic of arranging the numerous necessary components of a building to create an impression of extreme simplicity by enlisting every element and detail to serve multiple visual and functional purposes (for example, designing a floor to also serve as the radiator, or a massive fireplace to also house the bathroom). Designer Buckminster Fuller adopted the engineer’s goal of “Doing more with less”, but his concerns were oriented towards technology and engineering rather than aesthetics. A similar sentiment was industrial designer Dieter Rams‘ motto, “Less but better” adapted from Mies. Read More
Erik Spiekermann is a German typographer and designer. He is a professor at the University of the Arts Bremen. Spiekermann studied art history at Berlin’s Free University, funding himself by running a letterpress printing press in the basement of his house.Between 1972 and 1979, he worked as a freelance graphic designer in London before returning to Berlin and founding MetaDesign with two partners.
In 1989 he and his wife, Joan Spiekermann, started FontShop, the first mail-order distributor for digital fonts. FontShop International followed and now publishes the FontFont range of typefaces. MetaDesign combined clean, teutonic-looking information design and complex corporate design systems for clients like BVG (Berlin Transit), Düsseldorf Airport, Audi, Volkswagen and Heidelberg Printing, amongst others.
In 2001 Spiekermann left MetaDesign over policy disagreements and started UDN | United Designers Networks with offices in Berlin, London and San Francisco.In April 2006, the Art Center College of Design in Pasadena awarded Spiekermann an Honorary Doctorship for his contribution to design. His family of typefaces for Deutsche Bahn (German Railways), designed with Christian Schwartz, received a Gold Medal at the German Federal Design Prize in 2006, the highest such award in Germany.
As of January 2007, UDN has been renamed SpiekermannPartners, and as of January 2009 it has been renamed Edenspiekermann.
Music is an art form whose medium is sound and silence. Its common elements are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics, and the sonic qualities of timbre and texture. The word derives from Greek μουσική (mousike; “art of theMuses”).
The creation, performance, significance, and even the definition of music vary according to culture and social context. Music ranges from strictly organized compositions (and their recreation in performance), through improvisational music to aleatoric forms. Music can be divided into genres and subgenres, although the dividing lines and relationships between music genres are often subtle, sometimes open to personal interpretation, and occasionally controversial. Withinthe arts, music may be classified as a performing art, a fine art, and auditory art. It may also be divided among art music and folk music. There is also a strong connection between music and mathematics. Music may be played and heard live, may be part of a dramatic work or film, or may be recorded. Read More
n architectural style is a specific method of construction, characterized by the features that make it notable. A style may include such elements as form, method of construction, materials, and regional character. Most architecture can be classified as a chronology of styles which changes over time. These may reflect changing fashions, changing beliefs and religions, or the emergence of new ideas and new technology which make new styles possible. Read More
Since the 1980s, as the complexity of buildings began to increase (in terms of structural systems, services, energy and technologies), the field of architecture became multi-disciplinary with specializations for each project type, technological expertise or project delivery methods. In addition, there has been an increased separation of the ‘design’ architect from the ‘project’ architect who ensures that the project meets the required standards and deals with matters of liability. Read More
The company was started in 1913 by Mario Prada and his brother Martino as a leathergoods shop – Fratelli Prada (English: Prada Brothers) – in Milan, Italy. Initially, the shop sold leather goods and imported English steamer trunks and handbags.
Mario Prada did not believe that women should have a role in business, and so he prevented female family members from entering into his company. Ironically, Mario’s son harbored no interest in the business, so it was his daughter Luisa Prada who took the helm of Prada as his successor, and ran it for almost twenty years. Her own daughter, Miuccia Prada, joined the company in 1970, eventually taking over for her mother in 1978. Read More
The sans-serif typeface Akkurat, designed by the talented Swiss designer Laurenz Brunner and released in 2004 by the font foundaryLineto, features heavily in The Phaidon Archive of Graphic Design. It has its own page, for one, which incorporates an insightful text celebrating the functional font’s clean and crisp character. But it also features within entries for Baseline Magazine (a typographic journal that employs Akkurat as one of its primary faces), Julia Born’s 2004 publication “Beauty and the Book” (a wonderful project that sets its content in Brunner’s font), and Joost Grootens’ 2005 “Metropolitan Word Atlas” (a beautifully designed compendium of complex mapping information). Like Helvetica before it, Akkurat has all but taken over the graphic design world. We asked Brunner, now based in Berlin, to shed some light.
Akkurat was first released in 2004 and almost immediately became widely used. What made you draw it in the first place? I started the design process in London in 2002, in a graphic design environment that was driven by illustration and saturated with expressive fonts. My typeface was an anti-thesis to that context – a utilitarian typographic notion that, looking back, I was only able to embrace by living a healthy distance from Switzerland, my home country, famed for its modernist heritage. Read More